.... a place in the sun.......?

In October of every year we notify our long list of Janet Bolton and Julie Arkell enthusiasts of their dates for the following year's workshops here, and within a very short time all places are filled.  However, altered circumstances sometimes mean that participants have to pull out, and disappointed as we are that guests we were looking forward to meeting will no longer be able to join us, it does mean a couple of people will now have the unexpected but guaranteed pleasure of being taught by either Janet (Narrative Stitches) in May, or Julie (Toys), at the beginning of June.  Spaces are for luxury accommodation only, but cheap flights are still available (the Euro is weak so more spending power whilst you are here).   For more details contact Susie as soon as possible so she can pencil you in.

               

But if you're looking for an opportunity to work quietly on your own project, away from the hurly burly of domestic chores and family responsibilities, our Bring Your Own Project week at the end of September may be just your cup of tea.  You'll have first class accommodation, shared use of our inspirational studio space, breakfasts and evening meals, transport as well as an optional daily Iyengar Yoga class.  We'll leave the rest up to your imagination.

 

If you haven't seen the latest copy of Uppercase Magazine we recommend you drop everything and run out to buy one immediately as this issue is all about textiles!  My initial training was as a Graphic Designer, and I have long been besotted with typefaces, fonts and scripts.  Add to this a fascination about the weaving process and hand-loom tapestry and Sarah Swett, whose extraordinary work is featured in the magazine, presses all the right buttons.   My only attempt at a tapestry a very long time ago was a spectacular failure so it may be that this variation of weaving is a) impossible to do on a hand loom, and b) difficult to teach over a five-day workshop; but wouldn't it would be great if we could persuade Sarah (or maybe you can recommend another suitable teacher?) to come over next year to lead a workshop?  We'll keep you posted!

     

As a postscript, there may be one or two of you who'd like to join us for an exclusive Yoga event at the end of June, designed for beginner, intermediate and advanced students.  This five-day intensive (with all the leisure attractions that our venue offers, plus a salon therapist available for treatments) is to be led by Liz Bolton of Silver Yoga, who trained as a teacher after 15 years as a Iyengar Yoga practitioner;  anyone interested in joining us at this beautiful time of year should contact me as soon as possible for more details as places are already filling up.

That's all for now folks
Katie

… a conversation with claire wellesley smith…..

We are thrilled and excited that the delightful and multi-talented Claire Wellesley Smith will be joining us for the first time this year to lead SLOW COLOUR & STITCH .  Claire will be offering a skill new to our workshops, i.e. dyeing natural textiles and sewing threads with colors obtained from plants and flowers from the gardens of Les Soeurs Anglaises.  But that's not all she'll be teaching…. with the luxury of five days to share her talent and techniques, the idea is for participants to stitch their beautifully colored fabrics into intimate "collages" which can either be further developed as purses, cushion covers, clothing etc.  or simply framed and displayed as works of art in their own right
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Here, in her own words, is Claire's creative philosophy:

Why do you enjoy working with dyes and stitch?

The history of colour on cloth fascinates me, and the stories that go with it. Dyeing with local plants gives you a new relationship with the place that they grow, and it creates new connections. There is something magical about the transformation that occurs when cloth enters a dye bath.  The slow nature of plant dyeing and the plain sewing techniques I use mean that there is time to develop a strong connection to the piece of work made.

What do you enjoy about teaching?

The conversations that arise in a workshop environment are so enriching - shared experiences and knowledge that lead to exciting work. Teaching is a reciprocal experience for me - as much as I love to show and to share knowledge, I learn a phenomenal amount from my students. I love the way that so many ideas can develop from one simple technique, and the unique work that is produced by every participant.

What are ‘Slow Stitches’ – how is this approach different?

The pleasures to be had from slowing down processes can be many, with connections to sustainability, simplicity, and multi-cultural textile traditions. I see a slow approach as a celebration of process, work that has reflection at its heart, and skills that take time to develop.

What inspires you in your work?

I live in Yorkshire, a place with a rich textile heritage and a beautiful landscape.  Stories, memories and observations of place inform my work. The idea of ‘using what you have’ - be that repurposed textiles and clothing, or local plants gathered to make local colours - is a strong theme also and I am looking forward to leading a workshop at Les Soeurs Anglaises in South West France with it’s different flora and fauna.

Can you share a little more about what people can expect at the Slow Colour and Stitch workshop?

I am very much looking forward to sharing with participants in May the slow textile processes, using natural dyes and hand-stitch. The wonderful gardens around Les Soeurs Anglaises will be the perfect location for gathering a collection of local colour. We will be using these and other natural dyes to invoke a sense of place, and participants will create a harmonious palette of hand-dyed fabrics and threads. These fabrics - alongside plain sewing techniques - piecing, patching and darning will be used to begin a personal piece of work. I will bring examples of kantha and other stitched work, and hand-dyed textiles, some centuries old, as inspiration. We will also have a collection of vintage and repurposed fabrics for participants to use in their work and there will be an opportunity to visit a local brocante where it will be possible to find traditional French linens and textiles.  The techniques I use can be adapted easily to a domestic setting, so that new, personal, ‘slow’ projects can easily be created by participants when the workshop is completed.

Many thanks, Claire.

to book a place on Claire's Workshop, or if you have any questions, contact katie@lessoeursanglaises.com