We at Les Soeurs consider ourselves very fortunate indeed to be regularly rubbing shoulders with amazingly talented participants who stitch away, sometimes for a living, but usually just for the love of it and who share our passion for textiles. How extra great that we have recently been able to get a glimpse of the superb work of some their ancestors.
Whilst Julie Arkell was staying at Les Soeurs Anglaises earlier this month she had time to go through the many photographs of stitchwork heirlooms sent in by competition entrants. Her unhappy task was to choose one that she felt deserved special attention. Catalina's great aunt from Rabano in Spain, stitched this incredible piece in 1897, and the fascinating chronicle of hard work and dedication involved can be read below. Catalina wins a free place on one of our workshops next year, and the two runners up will receive a substantial discount.
"This embroidered panel was made by my great-great aunt as a gift to her brother (my great-great uncle) when he left his position as priest of the church of his native village of Rabano to become canon of the Spanish city of Valladolid, a post of great importance within the church. The image is a copy of the main altar in the Rabano church and was embroidered as a memento of the years my great-great uncle spent there.
"The panel hung in
his house for many years until he gave it to my grandmother’s sister, who
subsequently gave it to my grandmother. It
was eventually handed down to my father.
"At some point the
embroidery was framed and on the back of this frame there is a handwritten note
in pencil praising the quality of the needlework, possibly written by the
person who framed it. This person also noted in the note that the image of
Longinus with the lance at the cross shows him lancing Jesus on the wrong side
according to the gospel, although in fact the only gospel to mention this act
of Longinus, St John 19:34, makes no reference to which side he was lanced.
"The embroidered
panel is divided into three sections and depicts different scenes of the life
of Jesus Christ:
"Centre: the Crucifixion
of Jesus Christ with the three Marys, The Virgin Mary, Mary Magdalene and Mary
of Cleofas and Longinus on horseback with the lance. Right hand side (from
top to bottom): Jesus tied to the
column, Jesus being crowned, Jesus carrying the cross.
"Left hand side (from top to bottom): Jesus praying on the Mount of Olives, St. John the Baptist, Our Lady of Sorrows, St. Peter with the keys to heaven’s gate and the cockerel.
"The names of the
figures are stitched in white, mainly in cross-stitch, underneath each figure.
"I love the way my great-great aunt used the threads to ‘draw’ these figures, especially the different expressions on the faces. If you look closely, each one carries its own emotion, for example the sorrow on the faces of the three Marys. This she has managed to achieve simply by using different but simple colour combinations of threads. Most of the panel is stitched using shades of greys and browns, combined with occasional splashes of brighter colour, most notably the use of red for the Virgin Mary’s dress and Jesus’ cloth.
"This picture has
been hanging in my parents’ bedroom, above their bed, for as long as I can
remember. As a child I used to climb on
the bed and play with my sisters making up stories about the people in it, not
realising what they represented. It was
only years later, when I developed a love for textiles, that I began to fully
appreciate the amount of work and skill that had gone into this remarkably
beautiful piece of needlework." Catalina
We will be posting onto this blog more examples from our competition over the next few weeks and we'd like to say a big thanks you again to everyone who sent in pictures to our 2012 competition.
We will be posting onto this blog more examples from our competition over the next few weeks and we'd like to say a big thanks you again to everyone who sent in pictures to our 2012 competition.
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